The People I Have Hurt

That boy I stole crayons from in the first grade,
That girl I told I didn’t like her dress,
The women I cut in front of at Forever 21,
That girl on my swim team when I hit her on accident,
The stranger I cut off driving down Park Avenue,
That man I puked on in the airplane to Atlanta,
The boy who was in love with me in eighth grade,
The girl at Meijer who went to grab the scarf I bought,
My neighbor when I left my dogs shit in his yard,
My coach when I refused to swim,
My dance teacher when I wouldn’t point my toes,
My 7-year-old cousin when I told him he smelled bad,
My great aunt when I rolled my eyes at her prayer,
My grandma when I wouldn’t play cards,
My brother when I called him a jerk,
My sister when I told her she looked fat,
My aunt when I called her ugly,
My grandpa back in 2000 when I wouldn’t help with the garden,
My mom when I called her a freak at church this morning,
My dog when I tell her to shut up,
Myself.

~Keygan Galloner

In the Founder’s Hall

 

The rasp of coffee, followed by the hiss of whipped cream;

Pocket change singing after the ding of another sale;

A clatter of ice accenting the hum of the cooler;

 

And in the corner, a keyboard clicks.

 

 

The door thumps open at the rattle of the bar;

A woosh, then the slap of it closing;

Alarm beeps send annoyed footsteps back to the library desk;

 

And in the corner, a baby laughs.

 

 

That familiar voice, the slide of a chair;

A backpack slumps to the floor, the laugh of a close friend;

Timeless ringtone, the click of a phone;

 

And in the corner, a woman sighs.

 

 

“Hello”  ”How are you?”  “When’s your next class?” ;

“Nice shoes”  “Nice phone” “Did you see last night’s episode?” ;

“I love you” “Goodbye” “I need to get going.” ;

 

And in the corner, a young mother juggles life and dreams.

 

Bryan Haiser

The Panther in My Living Room

In a woodland forest of my mind

There are oak trees with

Bark warped into faces,

They whisper on the wind

Of remembrance—stories

Once lost but now found,

They tell me these stories,

I listen.

And write their rustling rumbles

In a journal

Of leather bound parchment.

 

The oaks blend in

With the forest surrounding

Of grey green

The air always holding a hazy drizzle

Of mossy wetted earth

A panther is known to

Roam their forest

I mustn’t talk to her

They say—She has yet to become what

She was created to be—what I was to make of her;

A beautiful creation trapped in

The lucid bars of thought

Where I reside most

Of my unearthed days,

Lost in an eternal

Agitation until

Pencil meets paper once again.

I hear her sharpen

Her claws on the backs

Of the oaks.

Searching for her

Story to be written,

To find purpose in this

Forest of grey green drizzle.

Her eyes flashing green

Like the rustling leaves rooted

In the firm mudded ground

While I hide within the oak’s hollows

Like a wise owl

With a journal

Of leather bound parchment,

Writing stories for this

Creature of my creation.

 

This forest to me

Is home—forged out of necessity

Of an endangered imagination.

The forces of evil lurking in

The real world threatening to lumber

My oaks that hold the stories

That I’ve long forgotten.

I hide them

In the forest.

A home where the real world

Is a forgotten thought

That does not disturb me

While I write the story of

The panther that lies in wait

In the woodland forest of my mind,

Ready to become everything

She was meant to be.

 

Hayley Durham

Mass Sculpting

He comes home with a bundle of clay.
Both he and his wife move clean hands
over it and already it begins
to mold and shape in their design.

Each touch of their nurturing hands makes
the form a little clearer, just a
bit more human. Soon they must leave this
beauty in a foreign public place.

Other hands touch this angelic artwork,
and in time pieces and fragments are lost
in the clutch of misguided palms,
storage ideas, and warped beliefs.

In time this sculpture forms fangs and claws,
the owners try and save what they can,
but end up crying, bitten
by their own creation of good intent.

Evan Zeitler

Sticks and Stones

I’ll be trading barbs with you
until one finally sticks —
heavy to your ribs —
making each breath you take
sharp and painful.

I won’t feel guilty
as I watch you labor
to forget my words —
but they are attached
to each of your muscles,
making every move a struggle,
until you have no choice
but to still.

I will lift my upper hand —
raised so high you cannot reach it,
let it reign,
angry and hot,
let it scorch your sharp tongue,
until finally,
you fall silent.

Mandy Whyte

Storage Space

Sometimes, late at night,
you sneak up on me,
when I am lying next to the man
cleaning up the mess you made.

Your memory comes out
of the shadows, the boxes,
the depths I pushed them in.

It still hits me,
hard,
right in the chest —
and all I can think of
is the way you laughed,
your crooked teeth
and the clumsy smile
that hid your sharp tongue
and all the words you battered me with.

I look at him,
hard,
focus until his form blurs —
and you retreat
back into darkness,
where you can’t hurt me anymore.

Mandy Whyte

The Flood

Rain falls,
steady on the tin roof,
and rolls down, down, the side
of this old house.

Thunder rolls,
sending critters deep into
the woods, seeking safety
and a place to stay dry.

Water flows,
with no place to call home,
causing destruction and
devastation to happen quickly

The river recedes,
silent and alone,
and the flood is forgotten
like it never came at all.

Kassie Hill

Home

Hands of sleep
pick me up
and deliver me to
the unconscious.

Cradling gently
as a mother,
rock me slowly
to crazy, feral dreams.

Sing me to sleep
with hushed lullabies
warming me slow to
the harvest moon.

Sara Reimann

Love Poem #3

I used to hear an orchestra
when I heard your name.
A smooth vibrato of climaxing violins,
the soft but lovely tremolo from the violas
with the cello’s bellowing bowed brilliance
shining like diamonds in the moonlight.

A collection of the finest musicians
played out your name as if
it was the most wonderful combination
of melody and harmonies
in front of a sold out crowd
heard by the public for the first time.
The lights dimmed –
my eyes fought the dark to catch glimpses
of the music as it took our souls
and lifted us above everything
to a place we only dreamt.

The darkness moved to corners of the room.
We jumped up to applaud, not just with hands
but with hearts and souls behind the thunderous roars.
The greatest symphony written and it was your name.

Yes – I used to hear an orchestra
when I heard your name.
Now all I can listen to is a bowed screech
from the cello,
a misplaced finger,
and unseasoned hand holding the bow
too close to the bridge.

Thomas Dunn

A Night In

When you loved me
I was a television remote
with hundreds of buttons to push.

I could have been a vending machine
with salt and vinegar chips, a chocolate cream bar.
N6 would give free candy for life.

The problem with that small equation
and the function of mechanical arts
is that all I wanted was the pressure of your fingers
on the Braille number keypad across my chest.

As time for a snack break came and went,
each lonely candy bar melted in my hands.
Each unwatched channel faded to white,
but my DVR recorded it as an important event.

Then came the noise of someone else
chewing in the other room,
the sound of Brad Pitt from the love seat.

So when the cable was disconnected
and my middle layer left uneaten,
I devoured it myself one night
and only blinked one thousand times
to clear the snow from my screen.

Douglas Campbell